Despite the arrival of two major films, this Memorial Day weekend was ultimately a disappointing affair, as X-Men: Apocalypse and Alice Through the Looking Glass both underperformed. The former should ultimately emerge untarnished in the long run, likely making enough money to keep the X-Men franchise breathing. However, the second Alice adventure only confirms what everyone outside of Disney already knew. People don’t like the first Alice in Wonderland and they had no interest in a sequel.
In most of these Weekend Box Office Reports, it’s clear who the victor will be. Even when the early estimates are a little off and the numbers shift between now and Monday, the basic layout of the top 10 is generally pretty accurate. But this week is a real race and the top two films are neck and neck, and we won’t know who will actually win this thing until tomorrow. But right now, early estimates have Melissa McCarthy’s new comedy The Boss barely edging out Batman v Superman: Dawn of Justice by less than $50,000. That’s crazy and, whether it actually claims the top spot tomorrow or not, very bad for Batman v Superman.
Pardon the pun, but Zootopia is a beast. Disney Animation’s new film held on to the number one spot at the box office for the third weekend in a row and made it look easy. Not even Allegiant, the third film in the Divergent series, could topple it. Could the film end up pulling Frozen numbers? Maybe. Possibly. We’ll have to see how strong it stands in the face of a couple of superheroes.
That sound you hear is the folks over at Disney popping a couple dozen bottles of champagne — Zootopia didn’t just open at number one at the box office, it had the biggest opening of any film in the history of Walt Disney Animation Studios, beating out 2014’s Frozen. Unfortunately, the rest of the newcomers didn’t fare quite as well, with London Has Fallen and Whiskey Tango Foxtrot limping into second and fourth place, respectively.
Deadpool topped the box office for the third weekend in a row, which is an impressive feat for any movie…but it helps when all of your competition arrives with a thud. Gods of Egypt, Eddie the Eagle, and Triple 9 all flopped in their opening weekends, making the continued box office victory of Ryan Reynolds’ foul-mouthed superhero all the more staggering.
When the 2016 Oscar nominations were announced nearly two weeks ago, the response to the overwhelmingly white line-up of talent proved instantly controversial. Film fans and industry veterans alike gathered around the #OscarsSoWhite hashtag to make their voices heard, especially decrying how films starring black actors and directed by black filmmakers — like Creed and Straight Outta Compton — somehow managed to only receive nominations for the white people involved in making them. With material this ripe, of course SNL was going to take a swipe at the Academy Awards this week.
The moment former Alaskan governor and 2008 Vice Presidential candidate Sarah Palin endorsed Donald Trump for President of the United States, you know the producers at SNL hurried to get Tina Fey on the phone. The beloved former cast member, who just hosted the show last month, famously took on the role of Palin eight years ago and many people believe that her scathing imitation actually did lasting harm to the real Palin’s political chances. In any case, this event allowed SNL to pair Fey’s Palin with Darrell Hammond‘s Trump. Thanks, reality!
With Star Wars: The Force Awakens star Adam Driver hosting 2016’s first episode of SNL, a Kylo Ren sketch of some kind was inevitable. After all, you don't get the actor who plays the villain in one of the biggest movies of all time to appear on your comedy variety show and not have him reprise that character. And we'll give the show this much: we never would have predicted a faux episode of Undercover Boss set on Starkiller Base, with the angry, murderous Kylo Ren going undercover amongst his troops as a radar technician named Matt.
It took Avatar two and half months to become the highest grossing movie of all time. Star Wars: The Force Awakens will surpass its domestic box office gross within the next day or two after less than three weeks in release. The big question now is when J.J. Abrams’ sequel will find its ceiling because as of right now, it’s showing no signs of slowing down.
While traditional live sketches are still the backbone of any given episode, modern SNL is frequently at its best in the pre-recorded segments. The past few years have seen an interesting evolution as the silly “digital shorts” of a decade ago have matured into full-blown filmmaking, with sketches that feel more like short films than just a comedy bit. Last night’s Ryan Gosling-hosted episode peaked with a pre-recorded sketch titled “Santa Baby,” which let both SNL and Gosling himself turn the weird up to 11.
Once families finished feasting on Thanksgiving, they had several options: continue enjoying each other’s company in the privacy of their own home, brave the crowds in search of deals at the retail store of their choice, or nip any potential argument over politics in the bud by heading out to the movies. Option three was apparently a popular one this year, as the overall top 10 for the week was the healthiest it has been in awhile, with The Hunger Games: Mockingjay – Part 2 fending off The Good Dinosaur and Creed, which still performed well.
As expected, The Hunger Games: Mockingjay – Part 2 topped the box office charts this weekend. But like the war in the movie itself, it all feels like something of a hollow victory. That may seem like a weird thing to say about a movie that broke $100 million in its opening weekend, but this is a new low for the series’ box office receipts…and it’s not even close.
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