Welcome to Augusts, where overall weekend grosses can decline for three consecutive weekends — $122, $116, and $95 million, respectively — and a new action-comedy can be the surprise winner of the weekend. Audiences might still be interested in creepy dolls, but it was a hyper-violent buddy film about professional killers that took home the gold. Here’s the box office projections, as of Sunday afternoon:
Today the world of comedy lost one of its brightest stars. Jerry Lewis was no stranger to controversy during his decades-long career, but his impact on both Hollywood and comedy in general cannot be denied. From his early days as Dean Martin’s partner-in-crime to his career-capping turn in Martin Scorsese’s The King of Comedy — and countless box office success in the interim — Lewis’s impact on Hollywood will be a source of much discussion for years to come.
We’ve reached the doldrums of August, where studios release the titles not marketable enough for the summer movie season and not quality enough for serious award consideration. That means an odd mixture of horror films, formerly prestigious movies that have lost a little bit of their luster, and absolute junk just looking for a few screens to dominate for a couple of weeks. Oh, and what do you know? That perfectly describes this weekend’s new releases! Gee!
With two new releases and a third movie switching from a limited to a wide release, this was a weekend of big changes at the box office. Gone are familiar stalwarts like Wonder Woman and Baby Driver, and in its place are (with respect) the also-rans of summer, a few genre-driven films looking to carve out a name for themselves in a time of year devoid of major blockbuster releases. Here are the numbers as of Sunday afternoon:
For many people who grew up in the 1990s, Home Alone is a film that ages alongside them. When you’re a child, you feel an immediate kinship with Macaulay Culkin’s Kevin, sharing in his delight at being able to run around the house entirely rule-free. The older you get, though, the more you find yourself goggling at the actions of John Heard and Catherine O’Hara‘s parents. How on earth could they manage to leave their youngest child behind? Was it really that easy to breeze through airport security in the ‘90s? Why do I still feel so sympathetic towards them even after all that?
It’s the moment you’ve all been waiting for, Edgar Wright fans: did the filmmaker’s action-packed Baby Driver score big with audiences? Or does this weekend belong to sequels, sequels, and more sequels? This weekend was always going to belong to Despicable Me 3— it’s a big hit with the kiddos, don’t you know— but there’s definitely some room for optimism in how the rest of the weekend Top 10 shook out. Here’s the numbers as of Sunday afternoon:
A few weeks before Wonder Woman hit theaters, film critics took to social media to share their early reactions of the newest movie in the DC Cinematic Universe. And while critics had plenty of great things to say about the film’s overall tone and Gal Gadot in particular, one sentiment above all others kept bubbling to the surface: this movie was funny. When fans got a chance to see the movie for themselves, they were pretty quick to agree. Gadot’s fish-out-of-water take on Diana Prince, combined with Chris Pine’s deadpan delivery as the superhero’s straight man, makes Wonder Woman one of the funniest comic book movies to date.
There was a time not so long ago when Memorial Day weekend was a big deal for Hollywood, but this weekend felt more like a bunch of under-performers gathering together and learning very little about life. Call it the anti-Breakfast Club, if you will. This certainly isn’t what Hollywood had in mind for most of the franchises, and while Johnny Depp’s latest pirate movie did OK, OK seems to be the operative word of the summer if you’re not a movie about superheroes or literate villagers. Here’s the weekend gross through Sunday afternoon:
While fans from around the world have gathered to share their love of Star Wars at this year’s Star Wars Celebration, there has been one sobering element to the festivities. The loss of Carrie Fisher has been felt at every level of the convention, from Thursday’s bittersweet memorial video put together by Lucasfilm to the sadness felt while Star Wars: The Last Jedi director Rian Johnson shared his behind-the-scenes footage from the set. And since this is a convention of all things Star Wars, fans have also speculated about the role the actress might play in the next film. Is there a place for Fisher in Star Wars: Episode 9?
After several weeks of limited movement, a handful of new releases prompted a pretty thorough shakeup of the Box Office Top 10. While Beauty and the Beast continued its unstoppable assault on the domestic box office, we also said hello this weekend to three new movies and goodbye to a handful of old favorites from the first few months of the year. Let’s start with the estimated numbers as of Sunday afternoon.
It might be a tale as old as time, but audiences have proven there’s still a few petals left on that old flower. Despite being projected to open at somewhere between $214–245 million worldwide, Beauty and the Beast knocked the pants off those projections, eclipsing $350 million at the international box office and setting a March record for domestic releases along the way. Let’s take a look at how things shook out this past weekend with some of the expected grosses.
As a teenager in the ’90s, no actor better represented blockbuster movies than Bill Paxton. Although Paxton wasn’t typically a leading man in those movies — he would often play the brother, the second-in-command, or the comic relief — he served as a kind of talisman of quality. If you saw Paxton’s name in the opening credits of a movie, you knew that the film was going to be better for it.
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